Book Club: Freshwater by Akwaeke Emezi

in

This month we are travelling to Nigeria via Freshwater by Akwaeke Emezi. Emezi is an Igbo and Tamil writer who goes by the pronouns they/them/theirs.

Freshwater is a somewhat autobiographical coming-of-age story and explores the idea of a fragmented self through the story of Ada, a young Nigerian woman who is inhabited by several Ogbanje.

“An ogbanje is an Igbo spirit that’s born into a human body, a kind of malevolent trickster, whose goal is to torment the human mother by dying unexpectedly only to return in the next child and do it all over again.” - Akwaeke Emezi [1]

I was drawn to this story because I remember coming across an Ogbanje in Chinua Achebe’s acclaimed Things Fall Apart and being rather fascinated with the supernatural entity. Here I feel like Emezi is going to use the Ogbanje as a device to explore cultural and individual identity and gender dysphoria, which are such compelling and important subject matters. Especially, as we are still living in a time where transphobia rife.

IMG_1230.jpg

It’s undeniable that literature is a powerful tool in the road to normalisation and through reading, I have become a more understanding and accepting person, and for that reason that I why I have selected Freshwater as our March book.

Where to purchase your copy of Freshwater

Audio: Audible

Secondhand: Abebooks

New: Bookshop.org 

Just check back here at the end of each month to discuss the book and find out what we’ll be reading the following month.

The Journey So Far…

download.png

[1] Emezi, A., (n.d.) Transition My surgeries were a bridge across realities, a spirit customizing its vessel to reflect its nature.. [online] The Cut. Available at https://www.thecut.com/2018/01/writer-and-artist-akwaeke-emezi-gender-transition-and-ogbanje.html [Accessed 6 March 2021].

February Books

in ,

Intimations by Zadie Smith

Written during the first days of the Pandemic this collection of essays covers random thoughts and feelings Smith had at the time and she also reflects on the Murder of George Floyd. I’ve never actually read any of Smith’s fiction so I thought I would start with her essays and I liked her writing style so I will be checking out her fiction in the future.

Oedipus Rex by Sophocles

I listened to an audio adaptation on Audible that you can download for free as part of your audible subscription. I think everyone knows Oedipus Rex to some extent, perhaps because of Freud’s controversial Oedipus Complex theory more than anything else which is interesting in itself, how something becomes part of a collective cultural memory. I didn’t realise that the play takes place during a pandemic so that was interesting. I used to read Greek plays in the school library during lunch break (I can’t remember which ones tbh) but this was my first encounter with Sophocles and I must say that I did enjoy the audio adaptation as really for me plays become so much more accessible when dramatised either on stage or by audio.

The Hound of the Baskerville’s by Arthur Conan Doyle

Here ends my reading of the Sherlock Holmes books. For some reason I just don’t get on with them, I find them rather bland and boring if I’m perfectly honest. I just don’t get what all the fuss is about. Is Sherlock Holmes and an interesting character? Sure, but that’s about all that Doyle has going here. The mystery in Baskerville’s wasn’t even that interesting and the vibe wasn’t as spooky as I had hoped, which is the only reason why I picked up another Holmes story, the hope of Gothic elements. The cover is pretty though…

 
ezgif.com-gif-maker.gif
 

Strange Weather in Tokyo by Hiromi Kawakami - Sága Book Club Pick

What a heartwarming novel. I absolutely adored this book and I am so happy that I finally read it. Kawakami’s story of two people, a teacher and his former student re-connecting after many years is just the kind of book I needed right now. The writing is uncluttered and is essentially an episodic slice-of-life narrative which is clearly a result of how it was published in Japan as it was originally serialized from July 1999 to December 2000, before becoming a novel.

One of my favourite things about Strange Weather in Tokyo is how the seasons drift by and that this subtly drives the narrative. We follow the characters as they encounter each other sporadically and it is dependant on the seasons as to where they will meet and what they will eat. This tradition of seasonal eating is a very Japanese practice, there is even a word 旬 ‘Shun’, which refers to when ingredients are at their most optimal for eating. While the principal characters engage in eating Shun foods and drinking copious amounts of beer and sake together (sounds like quite the ideal ritual…am I right?) they form an attachment, that soon blossoms into love.

“I felt a sudden rush of warmth in my body, and felt the tears well up once again. But I didn't cry. It's always better to drink than to cry.”

The novel is told in first-person from the point of view of Tsukiko, a nearly 40-year-old former student of Sensai who is himself some 30 years her senior. She is shy and doubtful and I found her character really quite relatable, as I am those things myself. I also think that love is born out of quality time shared and that it almost creeps up on you, just like it did to these characters. I won’t spoil the ending but it was both expected and unexpected, perhaps a better way to put it is that I saw it coming but I didn’t think it would be executed in the way that it was. I think Strange Weather in Tokyo has certainly become a new favourite and I’m sure I’ll revisit it many times in the future.

 
 



Spanish Cinema: Dolor y gloria (Pain and Glory) Review

in ,

Pain and Glory is cinema at its best, a feast for the eyes and a story that touches the heart. Directed by Pedro Almodóvar and starring Antonio Banderas in the lead role of Salvador Mallo, a troubled director, this film explores the very essence of life, the pain and the glory of existence, if you will.

This film has been on my watch list for far too long and I am also kind of ashamed to say that this is the first Almodóvar film I have seen (despite having a DVD of The Skin I Live In on my shelf for years!) The first thing that struck me was the use of colour (a well-known trademark of the filmmaker if I’m correct), in every frame, there is a perfect balance of rich jewel tones and paired back neutrals, making everything pop in such an aesthetically pleasing way.

Homes or interiors to be more precise play an important part in the film, and they are visually stunning too. From the striking whitewash walls of the cavern home of Mallo’s childhood to his chic and colourful apartment. Can I just say that the latter is perhaps one of the most gorgeously designed apartments I have ever seen (interior design inspo on a whole new level!) and interestingly it is a replica of Almodóvar’s own home. According to Antxón Gómez (Production designer and frequent collaborator) “For Pedro, interior design is a character in the movie,” [1]. And it truly feels like this is the case while watching the film, the eclectic decor speaks volumes about the characters and shows that they have a rich and complex history. It’s the same with fashion, and can I just say that I need a green jacket like the one Mallo rocks in my life. Fashion and Interior design are ways in which we can express ourselves, and then for Almodóvar, there is filmmaking as well. Creating art is a form of expression, its storytelling in it’s most visceral form.

“Las noches que coinciden varios dolores, esas noches creo en Dios y le rezo. Los días que solo padezco un tipo de dolor, soy ateo.”

“The nights that coincide several pains, those nights I believe in God and I pray to him. The days when I only suffer a type of pain I'm an atheist.”

Narratively, Pain and Glory is meandering, it flicks between the present and past childhood memories…or does it? When taking into account the final scene of the film, you must rethink everything you’ve seen throughout. Are all the flashbacks purely Mallo’s reconstruction of his memories on a film set, does this then mean that everything we have seen from his childhood has been moulded for cinematic storytelling. Having a film within a film that is only revealed to be a film at the end is a rather clever move from Almodóvar, and further cements the film’s theme of the craft of storytelling. It’s so meta it almost hurts!

Films like this make me fall even more in love with cinema and make me want to make movies. I say this all the time but it’s true, there’s something so special about watching a beautifully made film that has so much depth and substance to it, it’s like reading a novel that’s full of imagery and symbols. It’s powerful and utterly relatable.

 
page0+7.jpg
 
 
page0 8.JPG
 

[1] González. B (2020) All About the Vibrant Decor in Pedro Almodóvar’s Films, Available at: https://www.houzz.com/magazine/all-about-the-vibrant-decor-in-pedro-almodovars-films-stsetivw-vs~131255473 (Accessed: 8th February 2021).

French Cinema: Juste la fin du monde (It's Only the End of the World) Film Review

in ,

It’s Only the End of the World is a French-language film directed by Xavier Dolan. The film stars Gaspard Ulliel, Nathalie Baye, Marion Cotillard, Léa Seydoux, and Vincent Cassel who are arguably some of the biggest names in French cinema.

Based on the play of the same name by Jean-Luc Lagarce the narrative of the film follows Louis, a playwright on his trip home for the first time in 12 years wherein he plans to tell his family that he is dying.

It’s easy to see that this film is based on a play due to its intimate settings, small core cast and telling dialogue where what isn’t said is just as intriguing and important as what is said. I also love how there is so much ambiguity throughout the film as it’s never revealed why Louis left in the first place only that something triggered it. This for me adds to the realism of the film as the story is essentially about how important communication is and how we often fail to listen to each other which results in awkwardness and resentment especially when it comes to family. In some parts, it did feel a bit over the top, especially when Louis is in the company of his aggressive older brother Antoine, who just can’t help but be a complete prick to everyone around him, but for the most part, it was a compelling family drama.

This is the first film by Xavier Dolan that I have seen and I must say that I’m kind of annoyed that I haven’t watched any of his work sooner as I was really quite taken aback by the cinematography (claustrophobic close-ups, intense colour grading) and the use of soundtrack in the film. Especially the use of O-Zone’s Dragostea Din Tei (yes that so cheesy it’s kind of good song from 2003) and Exotica’s Une miss s’immisce and how they weave into moments from Louis’s memories. These scenes are a world away from the claustrophobia of the family home in the present. Running hopefully over a sun-drenched field as a kid or a sensually lit (oranges, pinks and greens dominate the colour palette here) teenage sexual encounter, these flashbacks are beautifully nostalgic and the music only helps to create the atmosphere for each one.

« la prochaine fois nous serons préparés »

“We'll be better prepared next time…”

The film’s ending is also quite visually striking with severe fiery oranges that take over the colour palette due to the sun setting. It is also a fitting symbol for how intense and fraught the whole day has been for Louis and that perhaps like the setting sun signals the end of a day, this sunset is the end of his connection with his family. Bird imagery is also dispersed throughout the film but most notably at the end with a surreal moment where a small cuckoo escapes the cuckoo clock and flies frantically around the house searching for a way out. Almost certainly a metaphor for Louis himself, he flew the coup and should not have returned and as it lies dying on the floor at the close of the film, he too is on his journey towards death, alone.

 
page0.JPG
 

Valentine's Day Gift Guide

in , ,

Need a little Valentine’s Day Gift inspiration? Whether your buying for a partner, a friend, a family member or treating yourself this Valentine’s Day here are some ideas to get you on the right track.

Valentine's Gift Ideas